In the summer of 2014 Brooke and Buret
both began making work using the colours and forms of butterflies.
Brooke’s paintings arose from a collaboration with applied mathematicians who
analyse complex structures inside butterfly wing scales, while Buret’s work was
informed by her observations of Blue Jewel butterflies, Hypochrysops delicia,
in her garden.
Using the shared visual language of grids and geometric
forms, Brooke and Buret explore the possibilities of tapestry, painting and modular
constructions to establish the third point of the triangle. However, they approach their investigations from very different
points of view. During a residency in the ANU Department of Applied Mathematics,
Brooke, a former research scientist, began collaborating with topologists who investigate
a complex structure involved in the formation of butterfly wing‐scales. Brooke’s paintings
explore the metaphorical and mathematical implications of this form, with a particular
focus on how mathematicians visualize and communicate abstract concepts. Buret’s
two and three‐dimensional
works, on the other hand, emerge from her direct observations of Blue Jewel butterflies
in her garden. Buret, a former restaurateur whose undergraduate studies were in
psychology and art history, is now a mid career artist and an ANU MPhil candidate.
She brings her background as a maker and her tacit knowledge gained from observation
and material engagement to her investigation of painted pattern and illusion in
extended pictorial space.
Susan Buret, Summer of Butterflies, 2015
Julie Brooke, Triangulation 1, 2015
Julie Brooke, Triangulation 4, 2015
Susan Buret, Lepidoptera 12, 2015
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